‘Rivière’ by Sie Douglas-Fish is an engaging abstract painting that captures the fluidity and movement of intertwining currents. The composition is dominated by swirling, ribbon-like forms in various shades of blue, from deep Prussian to light Cerulean, creating a sense of depth and motion. These intertwined strokes meander across the canvas, evoking the natural flow of a river or the rhythmic dance of water. The varying thicknesses and overlaps of the strokes add a dynamic quality, inviting the viewer to follow the twists and turns throughout the piece. This artwork exudes a serene yet energetic ambiance, making it a mesmerizing focal point in any space.
Only 20 limited-edition pieces are available. Given the nature of the production process, each edition is unique and will exhibit slight variations, giving each piece authentic character and individuality.
This piece is a part of our collection in collaboration with LGBT+ VC. Check out the full collection here.
Sie Douglas-Fish (they/them) is a professional digital and analog painter and illustrator from the lands of the Secwépemc nation (100 Mile House, BC) currently living and working on the lands of the Kanienʼkehá꞉ka people (Montréal, QC). An award-winning artist, Sie holds a BFA of Visual Arts and Japanese Studies from the University of Victoria. Sie is an art tutor, advocate, and lover of learning and tech. With experience in numerous group and solo gallery shows, Sie is helping Acrylic pioneer the future of art one stroke at a time.
The Aurograph is the result of years of groundbreaking R&D by our technical team. We’ve figured out how to capture an artist’s unique style — the way they layer, mix colours, apply pressure — and teach our robots to do the same.
This represents not just a jump, but a quantum leap forward from a flat, pixel-based photo print: for the first time, we’re able to capture the aura of an art piece and produce painted, textured, hyper-precise replicas at scale.
Aurographs have thousands of strokes each — many more than are visible to the naked eye, but which contribute to the depth and three-dimensionality of the final result.
Quality pigments can't be mimicked by ink colours (like those used in printing). We produce rich textures, lustres and colours that make artworks pop.
Studies show that your brain lights up when you look at painted art — your motor neurons work to imagine how the artist performed each stroke. No two strokes — and no two paintings — are fully identical.
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